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The James Turrell Skyspace in De Young Museum might just be my new favorite place in all of San Francisco. It’s serene, inspiring and breathtakingly gorgeous. The lighting apparently shifts throughout the day; I’ll need to go back at a different time for more shadow play ;-)

Also, I’ve been getting lots of questions about where this coat is from, so I decided to link to it above. Happy shopping, loves! xx

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PHOTOS BY NIMA FATIMA

STYLING BY YOSELINE CABRERA

Took Bob Cut Mag around last month to some of my favorite photo shoot spots in San Francisco, including Flora Grubb Gardens, Maiden Lane, Tilden Hotel and Media Noche (this last one was also because I happened to be craving Cubano sandwiches, heh).

I was so flattered to be featured by this awesome SF-based publication (you can read the full interview here). Thank you to Yoseline Cabrera (my new favorite stylist) and Nima Fatima (an amazingly talented photographer, clearly) for helping to put this together <3

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Vestiaire Collective is entering China following three years of fast growth in Europe and the US. The question for Pawnstar will be how we collaborate or compete. Olivier Marcheteau, Vestiaire Collective’s COO made the following statement that was part of this piece on digiday:

“In China, it’s critical that we establish the brand DNA in the right way. There’s major opportunity: low competition, a growing market, and young luxury customers. We’re an entry point for luxury. We’re investing in this customer because that’s the magic of a global network. If you can open up the closets of luxury shoppers all over the world, you’re going to win.”

This Paris-based c-to-c secondhand luxury market with a twist offers an authentication process and sits on USD 130 million in funding. It is the main global competitor for San Francisco-based realreal.com, which has USD 40 million earmarked for expansion in Australia, Canada and Hong Kong. With six million members in 47 countries, Vestiaire will be bringing a huge body of overseas product from which Chinese customers can select, though they will have to deal with shipping and customs costs in that case. The main priorities for Vestiaire will be “onboarding Chinese sellers, an office in Hong Kong, and opening a logistics hub in China, all of which the company plans to complete by early 2018.”

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Known for its voracious fashion appetite, the Chinese became world renowned for their seemingly endless need for luxury. Yet as new money’s glimmer has worn off, the allure of conspicuous spending habits have become passé and dare I say… downright gauche in first tier cities.

There is no doubt boutique retail channels help independent designers grow and flourish in the market, adding to the richness and depth of the country’s design diversity.

These sentiments have been replaced by behavior that is on par with mature economies — think the growing preference for stealth wealth, athleisure (which is just starting to peak in the country) and a newfound taste for independent designers. When coupled with an eager to shop Gen Z (post-95) and Millennial (post-80s and post-90s) consumer who is increasingly individualistic and has an appreciation for niche brands, a fertile breeding ground was created for the birth of domestic multi-brand boutiques.

These changing macro-factors have been further supported by a unique demographic of largely only-child adult shoppers who may happen to be fu’er dai — second generation rich, offering a rather healthy discretionary spending power support to this retail trend.

While the long-term profitability of these smaller brick-and-mortar formats have been a point of debate in the local industry, there is really no doubt these retail channels have helped independent designer brands grow and flourish in the market adding to the richness and depth of the country’s design diversity.

Temper Magazine hereby presents some of the country’s top multi-brands to know! 

Dong Liang

With Dong Liang’s trio of founders — Tasha Liu, Charles Wang & Lang Nan — having been featured in BoF’s 500 list the boutique chain is one that really needs no introduction among China’s fashion fans at home or abroad. Launched in 2009 the boutique has gained an impressive Weibo following 258,390 plus followers and boasts locations in Beijing and Shanghai. Need to know labels including Nicole Zhang, Shushu/Tong, Yirantian, Pronounce and Angel Chen along with newer names such as Mobius Studio are stocked.

Weibo | WeChat ID idongliang

Shop locations: 

6 Chaowai Street, Building 2, Unit 102, Beijing

184 Fumin Road, Shanghai

Lane 764, House 2 Changle Road, Shanghai

Brand New China

Owned and operated by media maven Hung Huang, who is has earned comparisons to Oprah, Brand New China also known as BNC. The store was opened in 2010 in Beijing’s prime shopping location TaiKoo Li Sanlitun. The brand boasts 94,260 plus Weibo followers. Brands such as Fake Natoo, Boundless, Joqiao Ding, Evening and Renli Su are stocked.

Weibo |  WeChat ID Brand_New_China

19 Sanlitun Road, B-09a, TaiKoo Li Sanlitun, Beijing

Playlounge

Playlounge is a fun multi-brand that first opened in Beijing’s youth oriented Xidan district. Housed in the Joy City mall, the shop is an eclectic mix of designer products meets coffee shop, book bar and lifestyle space that so encapsulates the country’s growing preference for more dynamic retail. Inside, you can find major Asian brands and independent designer labels such as Chaotique and Ankimeki. The multi-boutique chain has since expanded to a second location Beijing and has also opened in Shenyang.

Weibo | WeChat ID PLAYLOUNGE_love

With local players opening boutiques across the country on a micro regional level, in most cases focusing on one specific city — two at the most, one can only wonder how many other stores there are across China as a whole.

Galatea Wan

Located in Beijing and with a social media following of 35,990 plus followers Galatea Wan is another boutique to know located in China’s capital, Beijing. Major designers such as Vega Zaishi Wang, Comme Moi and Yuzzo are stocked while private collaborative events are often held in the minimalist store space. The multi-brand also has a second location in Changsha according to its Weibo page.

Weibo |WeChat ID Galatea-wan

2 Jianguomen Outer Street, B01-02, Beijing Yintai Centre, Beijing

Hug

Chengdu’s cultural importance has made it a major fashion bastion in the country’s western region. It’s retail scene has showed healthy development which includes multi-brands such as Hug. The shop was reportedly launched in 2016 following two years of preparation by Sichuan locals in partnership with Dong Liang. Operated from an international perspective through the store’s selection of clothes, accessories and lifestyle products customers can experience a blended taste of Eastern meets Western culture. Uma Wang, Samuel Guì Yang and Moto Guo are stocked.

6 Dongda Street, 1F Unit 6, Time One Building, Chengdu

Four

Another mainstay of Chengdu’s boutique scene, Four is a long time multi-brand fixture in the city. Brands such as Tommy Zhong, Moonstop Studio and Qiu Hao are stocked while themed events featuring collaborations with local designers and international creatives are regularly held in the store.

Weibo | WeChat ID sihefour

3 Tianxian Qiao North Road, No 19, Chengdu

Round Round

Opened in Nanjing, Round Round has been a name that has been popping up the radar recently. And with good reason, while the store has a small Weibo following according to the boutique’s WeChat account the multi-brand chain has opened five locations across the city. Boasting an impressive stock of established designers brands names such as Chictopia, Feng Chen Wang, Ricostru and Helen Lee are carried.

Weibo | WeChat ID roundoround

The Fashion Door

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When I arrived in Shanghai one decade ago, the digital habits I saw in China… were rather avant-garde. As an American coming in from a mature economy, the wide variety of established communication channels, media and habits that were found back home made what I was seeing across the Pacific… unfathomable.

QQ, a domestic version of AIM was always open enabling my colleagues to maintain real-time communications in our office and with external vendors. Because… why email when you can live chat?

During that time, drop down text readers for translating English to Chinese for work research were about as common as having a web browser. As far as I know, language translation extensions such as Zhongwen remain relatively unheard of in English speaking countries to this day.

Fast forward to 2018, which is year No.7 for WeChat. Despite being one of the world’s most popular apps, in Q3 of 2017 the app reached a reported 980 million monthly active users, this Tencent creation continues to be a familiar stranger in Western countries. As anyone living or working in China can attest though, there really is nothing quite like WeChat in the West. The channel feels as if Facebook, Whatsapp, Instagram, Paypal and Slack got together and made a genetically modified designer baby with all of their functions available in one place.

Nevertheless, things don’t end there.

As China’s fascination with all things digital permeates the first layer of fashion through its imagery this raises the question, what does the future hold?

Digital wallets such as WeChat Pay and Alipay have become so ubiquitous that swiping or paying with cash can feel… embarrassingly prehistoric. Friends and colleagues more often that not will chuckle at you if you mai dan (“pay the bill) with one of these old school payments. Put in concrete terms, China’s mobile payments market in 2016 was approximately 50 times that of the United States.

By all means, let’s not forget the fact that if you don’t want to shop for groceries or cook you can have either cheaply and quickly delivered.

Which brings us back to the question, what does this mean for the future of Chinese fashion? While the digital savvy habits found in China are just a given, when you really stop to consider them, they hold many an implication.

With the country’s tech habits a good half a decade ahead of those found in Western countries, as China’s style barometer continues to rise these two factors make the world of fashion one particularly interesting industry to watch.

On China’s closed platform WeChat branded digital merchandising and content marketing has already integrated GIF based lookbook imagery. It can feel quite Gen Z, but is as relevant to millennials and Gen X as it is among young audiences. Here we have tech divergence that feels like Harry Potter newspapers come to life.

Curious? Check out posts by adidas Originals China, Mo & Co or Dazzle.

Designed by Will Quinn, Shanghai-based brand Ratpack S/S 18 season’s lookbook, as featured throughout this snippet, also reflects this digital fixation with its “Social Obsession” themed imagery. On the label’s Instagram, behind the scene photos shot by Robert Nilsson feature the epically familiar screen face found throughout China. Similarly this imagery is explored by Hong Kong’s I.T. through its Lunar New Year WeChat content.

In sum, as China’s fascination with all things digital permeates the first layer of fashion through its imagery this raises the question, what does the future hold?

We’re not sure yet but with Prada, Gucci and Moschino all dropping smartphone designer cases for Chinese New Year and internet slang such as danshen gou (“single buying”) being adopted as print and graphics by major Chinese retailers such as Metersbonwe and Urban Revivo, there’s no doubt this online orientation will affect the country’s fashion designs as we know it.

Edited by Elsbeth van Paridon for Temper Magazine

Images: Courtesy of  Will Quinn and Robert Nilsson for Ratpack

Copyright@Temper Magazine 2018 All rights reserved

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Wang Zi is a stylist that works with Pawnstar on some projects and also consigns with us. He is of Mongolian descent and from Inner Mongolia originally. He used to be a doctor but is now in fashion, which I think makes more sense in the Chinese context than it might elsewhere.

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Sumo being VERY helpful while packing!

Sumo fully enjoyed our empty Shanghai house! We had to pack and ship like 90% of our belongings first because it took like 10 days to get to HK. So we shipped it out early so that it would be arrived and ready by the time we arrived in HK.

I miss this George Nelson lamp shade EVERYDAY.

All 45 of our boxes have arrived…yep…FOURTY FIVE.

New TV…but no internet yet so..Nintendo Switch Mario Kart it is!

Finally ready for sleeping on! Okay so our ghetto blinds…we hadn’t gotten the real blinds delivered yet so we had to use our cardboard boxes to block out the light..squatter style haha

First morning after a great night’s sleep. We were sooo tired from all the unpacking so sleep was so crucial.

Finallyyyy our bed frame is here!!! It’s the Ikea Malm Ottoman bed so we could stuff as much stuff under the mattress.

The second bedroom is super spacious so naturally, it became our enormous walk-in closet.

Sumo and the gang!

Bedside views

My desk situation! The grid shelf by Hay, Cactus vase by Serax from Not Another Bill and the girls print by Laura Berger.

♡＾▽＾♡

Making new friends and hanging out with Snoop dog!!!

Desk situation

Snuggle time

Keeping Auntie Helie company

Plant shadows

Sumo says thanks for reading pals!

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Photographer Chen Man, a national Chinese (albeit NYC-based) symbol of independence, success, style and precision-vision. With a penchant for the occasional gender reversal visualization. Watch closely as Sixth Tone Photo Editor Ding Yining unfolds the Chen story before our very eyes.

Temper Magazine’s Trending segment casts a net upon all that is throwing tantrums within the world of China Fashion across a variety of global sources. This very necessary segment makes for a collection of largely non-Temper Magazine-original content dipping its toe into the deep indigo-dyed pool that is the ocean of Middle Kingdom fashionable astonishment. This time around…

We head on over to Sixth Tone where Photo Editor Ding Yining chronicles the major undertakings of the ground-shakers and -breakers in Chinese photography over the past decade, clicking things off with Chen Man, the famed Beijing-born visual artist who believes she “should help more people recognize the face of modern Chinese beauty with greater confidence”. Ding tells all.

Chinese fashion magazines only became popular nationwide around the turn of the millennium. For years, they mainly aped the styles and beauty standards of their Western counterparts, either by directly publishing covers featuring white Caucasian models or imitating the cute, more playful aesthetic of Japanese or Korean magazines.

Chen Man changed all that.

Since emerging in 2003, Chen has become one of China’s highest-profile fashion photographers. Her work regularly appears on the covers of the Chinese editions of Vogue, Harper’s Bazaar, and Elle. She is known for her bold, vibrant style that merges Chinese tradition with high fashion; she has shot Chinese models in Tiananmen Square and at the Great Wall, complimenting them with folk symbols like candied hawthorns on a stick and old men carrying bird cages.

Chen, who grew up in a Beijing hutong — one of the capital’s historic courtyard residences crisscrossed by narrow alleys — cites the lives of ordinary urban Chinese as a source of inspiration. “I would ride my bike through Tiananmen Square on my way to school, carrying my backpack. That was a snapshot of my childhood,” she tells Sixth Tone.

To further educate yourselves on photography pioneer Chen, read the full feature right here on Sixth Tone!

This trending topic was originally written by Ding Yining for Sixth Tone 2018. All rights reserved

Translated by Katherine Tse. Edited by Ming Ye and Matthew Walsh for Sixth Tone

About Sixth Tone: There are five tones in Mandarin Chinese. When it comes to coverage of China, Sixth Tone believes there is room for other voices that go beyond buzzwords and headlines to tell the uncommon stories of common people. Through fresh takes on trending topics, in-depth features, and illuminating contributions, Sixth Tone covers issues from the perspectives of those most intimately involved to highlight the nuances and complexities of today’s China.

All images: Copyright@ Chen Man Photography

Temper Magazine does not own any of the above English content. All featured English content was re-published under the “fair use” approach and belongs to Ding Yining for Sixth Tone, 2018. All rights reserved.

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On Fuxing Road here in Shanghai are these two students who just came into Pawnstar to shop.

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I’m delighted that my friend and frequent Pawnstar client Juliette Gustavsson is hosting “The Devil Wears Zara” at Pawnstar. This was the title for a paper that she wrote about sustainability and fast fashion. It could have been H&M, Forever 21, or C&A but Zara sounds better in the title. The quality and design of Zara is quite variable but they often do come out with some very nice pieces.

Juliette founded Mrs. Jet-Set, which offers luxury shopping tours here in Shanghai.

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David Bowie: As conscious about what he applied to his face as he was about his poetry in motion from rebellious lines to stage costumery, Bowie’s makeup bag contained a perversion of exquisite paragons acquired partout. Beijing opera performer Liu Xinran: Cut-glass cheekbones, glacial skin and a razor-sharp narrow chin give him the coveted guazilian or “melon-seed face” Chinese women would wage wars over. Where makeup meets masculinity.

One opera man behind the makeup… “Portrait of a Beijinger” presents: Tom Fearon & Liu Xinran. Courtesy of China Channel Vimeo:

Beauty mark this! Temper Magazine’s Trending segment casts a net upon all that is throwing tantrums within the world of China Fashion across a variety of global sources. This very necessary segment makes for a collection of largely non-Temper Magazine-original content dipping its toe into the deep indigo-dyed pool that is the ocean of Middle Kingdom fashionable astonishment. This time around…

Using a soft, fluffy eyeshadow brush, we at Temper put on some Sixth Tone highlighter as authors Wang Lianzhang and Chen Na scrape off the concealer and reveal both the beauty spots and blemishes impelling the surge of male cosmetics use in China. It’s the foundation for a new marriage between makeup and modern masculinity. Ladies, we’re all ears!

A fragment courtesy of the Baozi&Hana Makeup YouTube Channel:

Back to Beijing where Wang Yuepeng is still angry about the first time he tried to buy a Dior lipstick.

“Are you going to use it?” Wang recalls the female salesperson asking dubiously, after staring at him for a few seconds. Wang was already addicted to makeup — he’d begun experimenting with it in high school when he spent 15 yuan (USD2) on a concealer at the grocery store in a bid to cover his acne.

“What’s wrong with me using it?” Wang retorted angrily. Nearly a decade later, his face still scrunches into a frown as he recalls their interaction.

Much has changed since Wang’s teenage years in central China’s Henan province. The 25-year-old with dyed olive-green hair is now a professional makeup artist and one of the few well-known male makeup vloggers in China. He boasts nearly 2 million followers online, where he posts video tutorials on everything from applying double eyelid stickers and eyeshadow to making cosmetics last longer. While most of his followers are women, he believes that one day, wearing makeup will be as common among men in China as it is in South Korea and Japan. “I already feel like everyone wants makeup,” Wang tells Sixth Tone from his seat at an internet-famous yogurt shop in Beijing, having just attended a cosmetics event.

Experts put the growing popularity of men’s beauty products in China down to a number of factors, including a global trend toward men caring more about their appearance and the influence of the delicate, feminine K-pop aesthetic on young Chinese celebrities. Such stars have earned the moniker xiaoxianrou, or “little fresh meat,” for their flawless skin and boyish mannerisms — and they are even changing what constitutes a desirable man, says Song Geng, a University of Hong Kong professor whose research focuses on Chinese masculinity.

For the unblemished Wang/ Chen report, blend in with Sixth Tone right here!

This trending topic was originally written by Wang Lianzhang and Chen Na for Sixth Tone, 2018. All rights reserved

Edited by Julia Hollingsworth for Sixth Tone

Additional introduction by Elsbeth van Paridon for Temper Magazine

About Sixth Tone: There are five tones in Mandarin Chinese. When it comes to coverage of China, Sixth Tone believes there is room for other voices that go beyond buzzwords and headlines to tell the uncommon stories of common people. Through fresh takes on trending topics, in-depth features, and illuminating contributions, Sixth Tone covers issues from the perspectives of those most intimately involved to highlight the nuances and complexities of today’s China.

Featured image: Screenshot from a video posted by Bilibili uploader Dong Zichu on March 24, 2018. Courtesy of Sixth Tone

Follow the Baozi and Hana Makeup Channel:

• Bilibili ‣ https://goo.gl/brCw2w

• Facebook BH Makeup Channel ‣ https://goo.gl/g1vhe9

• Baozi & Hana ‣ https://goo.gl/CLHoce

• Instagram BH Makeup Channel ‣ https://goo.gl/u8gs2h Baozi ‣ https://goo.gl/1iri5q Hana ‣ https://goo.gl/ci4nU7

• Twitter BH Makeup Channel ‣ https://goo.gl/x7bc1k Baozi & Hana ‣ https://goo.gl/c1x8qp

Temper Magazine does not own any of the above English content. All featured English content was re-published under the “fair use” approach and belongs to Wang Lianzhang and Chen Na for Sixth Tone, 2018. All rights reserved.

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Finding one’s identity in a new world and expressing how to feel about it, while also channeling and bringing it to full fruition — both in terms of inner personality and outer fashion and art — make for the challenge of a lifetime. How does this search for a new identity manifest itself in fashion, photography and other art forms? For Temper Magazine’s Sensational Issue, the main event is our senses. So, welcome to what I call, the “Sense of Estrangement”.

Imagine the stage is yours for the taking. The spotlight? On you. Change? Inevitable. Identity? Questionable.

What is it like to have all eyes focused in on your most vulnerable stage of life? This is a question I ask myself on the daily, during my perusals of Chinese-focused media, that hone in on the emerging generation and their talented futures. The YP ( young professionals) of China are, at the moment, one of the world’s biggest and most targeted demographics, and are idolized by international brands, companies, and media across the globe. Every other article that I read, despite my niche amorous relationship with Chinese fashion and beauty, is regarding emerging Chinese designers, artists, architects, musicians and photographers. Every image after the next is a colorful, dramatic and glossy display of the top emerging Chinese aficionados we must all take note of. Now.

Through the lens of music, fashion, art, photography and gender — really any creative and malleable space you can imagine — changes are happening and these vessels are helping to express the growth, evolution and feelings of estrangement in Chinese YP.

Define estrangement? The feeling that they do not belong or are alone.

Chinese youth is essentially experiencing a metaphorical puberty, but instead of evolving privately, they are soaked beneath the hot breath of spotlight, with every moment of achievement and loss dually noted.

China’s restrictions on free speech and public expression has erected steadfast obstacles for the creative industry and individuals attempting to break free, to give China a new name. The YP are in search of a voice, seeking an opportunity where they can identify with both their Chinese and international identities and, most importantly, with their self-identities.

As a community in the early stages of a new millennium, we are obsessed with the freedom of expression, the use of technology, entrepreneurs, fluidity in discourse and identity, creativity, and innovation. With the timing of China’s emergence as a powerful force in business, trade, and culture, the world has made China a part of its mission statement for many years to come. Fortunately and unfortunately, the rising generation, who is so diligently attempting and succeeding, slowly but surely, at consuming the market with their new found artistic contributions, may find insurmountable success; but they may also bear a heavy burden from the globe’s watchful eye and find delayed success due to untouchable expectations and unfair criticisms.

Daring to be crude, take a minute to imagine how it felt to go through puberty. It’s not a moment you exactly wished to share with your friends and classmates, parents and teachers. It’s something you hoped would happen but would fly under the radar until fully “blossomed,” for lack of a better word. Chinese youth is essentially experiencing a metaphorical puberty, but instead of evolving privately, they are soaked beneath the hot breath of spotlight, with every moment of achievement and loss dually noted. They are truly the guinea pig creatives, the first line of offense for China against the world team. They are first to show the country from an alternative angle, and to change people’s perceptions on what it means to be “Made In.” So whilst taking chances, learning about themselves as individuals, and figuring out life for possibly the very first time in their lives, they are simultaneously being evaluated.

One of the best and more “grass root” ways of executing such new social desires is the culture of streetwear. 

Up until a few years ago, China was a closed country. International travel? Limited. Foreign education? Restricted. Only in the 1980’s did these things start to become more easily accessible and tolerated. Today, it seems crazy to think that the Asian community was, up until recently, very sparse in Europe and the United States. So with new privilege comes new responsibility…and a learning curve. Rome wasn’t built in a day right? (ok super cheesy, but you know what I mean!). Who gets it right on the first try anyway?

This dynamic shift in desired interaction, inspiration, thirst for travel and knowledge, envy for self-expression, and definition of self, is currently in a fluid state because these things have yet to be fine-tuned. The YP community of China is still maturing, figuring it out, learning about who they are and how they fit in and shine on the world stage. Shine bright like a Diamond

One of the best and more “grass root” ways of executing such is the culture of streetwear. Many streetwear brands have emerged from within China. There are still many misconceptions about the Chinese streetwear culture. Take a look at GRAF&WU. GRAF stands for Generation Represent Artistic Fashion. This reflects the brands ethos aspiring for a generation of people to use fashion as an artistic medium.

“Speaking through illustrations,” as the designer of GRAF&WU puts it, “is a much more integrative and effective way to communicate her opinions and feelings than through a media outlet or publication.”

Interestingly enough, fashion has become an integral part of personal expression in China, because the current obstacles with freedom of expression have pushed people to discover new ways of communicating responses to social issues. “Speaking through illustrations,” as the designer of GRAF&WU puts it, “is a much more integrative and effective way to communicate her opinions and feelings than through a media outlet or publication.” She streams her inspiration from the lyrics rap music and cultural influences, whether they be from the 80’s or current events. Streetwear is always the best way to see true culture, and how it manifests at the very grass root levels.

Now living in an environment that allows defining oneself as one or the either or both, the question of sexual and gender orientation comes to mind as the YP continue to integrate and assimilate into Western society. This sort of identification or reassignment is prohibited in most parts of China and therefore is all a part of finding and establishing oneself in a new community; even a new body and state of mind.

The Sense of Estrangement is a lonely one at that. It’s swimming against the current. It’s pushing a conversation that erodes stereotypes. It’s defining oneself in a place where definitions are blurry. It’s a sense of solitude that will only shatter when the other elements of sense shatter its very foundation.

Photographer Tom Selmon shot the featured images exclusively for Temper Magazine. A few Selmon words regarding his Beijing-based Temper shoot: 

“I came to this project because in my work I always like to show the element of the documentary and I wanted to show inside an everyday Chinese household through fashion imagery. The model I worked with has great style so I thought she would be the perfect subject to showcase these designers in her home. 

As the theme was adolescence/puberty I felt the location of a home would be fit well because there are so many things in this environment that bring you back to that time period. The model (22 years old) is past this time period, however, I thought it would be beautiful to contrast her strength today in the gentle and safe environment where she lives with her mother.” 

Written by Jessica Laiter of Chinese Graffiti for Temper Magazine

Edited by Elsbeth van Paridon

Images: Photographer Tom Selmon for Temper Magazine, 2018. All rights reserved

Copyright@Temper Magazine, 20018. All rights reserved

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Shanghai Fashion Week’s younger, cooler sister Labelhood played host to China’s coolest designer labels. Check out part of the roundup below:

SHUSHU/TONG

JONATHAN LIANG

MOTO GUO

SUSAN FANG

SIRLOIN

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